JOIN NOW

Schools and Teachers Passport to Asia for Kids Volunteers & Docents
     


A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
SINO-TIBETAN
term traditionally applied to images made in China but strongly influenced by Tibetan style and iconography, especially early-15th to 18th century.
SANSKRIT
the classical language of India and hence Hinduism and Buddhism.
SHIVA
third deity of the Hindu trimurti (trinity); great ascetic who is both creative and destructive.
SHAKYAMUNI BUDDHA
or Gautama, the historical Buddha, the last in the stream of countless rebirths, generally assumed to have lived and preached in the Gangetic basin around 500 B.C. (Shaka in Japanese).
STUPA
originally a pre-Buddhist, dome-shaped, burial mound; under Buddhism the location of auspicious relics.
SUTRA
best-known category of Buddhist scriptures, believed to have been the actual words of the Buddha.
SCROLLS
the most common methods of mounting Chinese paintings were the hanging scroll and handscroll formats.
SEALS
painting and calligraphy are often marked with vermilion seal impressions; these may be affixed by the artist or his friends, or by collectors and connoisseurs.
SANCAI
literally 'three colors'; refers to the green, amber and cream glazes used on burial ceramics of the Tang dynasty and is the name by which such wares are known; the term is somewhat inexact as the Tang sancai palette also included blue and black glazes.